Author(s):
Pereira, Margarida Esteves 
Date: 2007
Persistent ID: http://hdl.handle.net/1822/20400
Origin: RepositóriUM - Universidade do Minho
Subject(s): Identity; Power; A. S. Byatt; Zadie Smith
Document details
Modelling female identities : the power of patriarchal discourse in literary na...
Description
In her longer essays on women, such as A Room of One’s Own or Three Guineas, Virginia Woolf draws our attention to the way women have always been defined by men, for no woman, as it is stated in another essay (“Professions for Women” (1931)) had told “the truth about [her] own experiences as a body (…)”. This is indicative of the way stereotypes have been maintained thoughout history, helping to model a certain idea of female identity. This paper aims to look at two contemporary narratives written by women (Zadie Smith and A. S. Byatt), where this idea is conveyed. For example, in Still Life, by A. S. Byatt, the main character is said to be possessed by “imposing tags” (which are taken from literary examples) that influence the way she sees herself as a woman. The paper will try to discuss the ways contemporary women writers respond to and defy the stereotypes of femininity conveyed in canonical narratives by engaging in an intertextual dialogue with those texts.
In her longer essays on women, such as A Room of One’s Own or Three Guineas, Virginia Woolf draws our attention to the way women have always been defined by men, for no woman, as it is stated in another essay (“Professions for Women” (1931)) had told “the truth about [her] own experiences as a body (…)”. This is indicative of the way stereotypes have been maintained thoughout history, helping to model a certain idea of female identity. This paper aims to look at two contemporary narratives written by women (Zadie Smith and A. S. Byatt), where this idea is conveyed. For example, in Still Life, by A. S. Byatt, the main character is said to be possessed by “imposing tags” (which are taken from literary examples) that influence the way she sees herself as a woman. The paper will try to discuss the ways contemporary women writers respond to and defy the stereotypes of femininity conveyed in canonical narratives by engaging in an intertextual dialogue with those texts.
Document Type
Part of book or chapter of book
Language English
Language English
| Financiadores do RCAAP | |||||||
|
|
|
|
|
|
||