Autor(es):
Eiras, Pedro 
Data: 2014
Identificador Persistente: http://hdl.handle.net/10216/64763
Origem: Repositório Aberto da Universidade do Porto
Assunto(s): Estética literária
Detalhes do Documento
Notícias do abismo : Mário de Sá-Carneiro e A Confissão de Lúcio
Descrição
In A confissão de Lúcio (Lúcio’s Confession, 1914), Mário de Sá-Carneiro places all of his characters on a precise scale: at the bottom is the despicable bourgeoisie; at the top is the artist, whose characteristics cannot be articulated. Ricardo, Lúcio and Gervásio oscillate between these points; they are the “something in the middle”. Although no one character can avoid being evaluated according to this hierarchy, nonetheless each character must invent a means of escape – the continuation of himself in the other. In short, he must write himself other – or even sacrifice writing for the superior experience of silence.
In A confissão de Lúcio (Lúcio’s Confession, 1914), Mário de Sá-Carneiro places all of his characters on a precise scale: at the bottom is the despicable bourgeoisie; at the top is the artist, whose characteristics cannot be articulated. Ricardo, Lúcio and Gervásio oscillate between these points; they are the “something in the middle”. Although no one character can avoid being evaluated according to this hierarchy, nonetheless each character must invent a means of escape – the continuation of himself in the other. In short, he must write himself other – or even sacrifice writing for the superior experience of silence.
Tipo de Documento
Artigo
Idioma Português
Idioma Português
| Financiadores do RCAAP | |||||||
|
|
|
|
|
|
||