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Para que servem as histórias que metem medo?

Notícias do abismo : Mário de Sá-Carneiro e A Confissão de Lúcio

In A confissão de Lúcio (Lúcio’s Confession, 1914), Mário de Sá-Carneiro places all of his characters on a precise scale: at the bottom is the despicable bourgeoisie; at the top is the artist, whose characteristics cannot be articulated. Ricardo, Lúcio and Gervásio oscillate between these points; they are the “something in the middle”. Although no one character can avoid being evaluated according to this hierar...

Do dionisismo dândi : entre Fradique e Zaratustra

Comparing the thoughts of the last Carlos Fradique Mendes, the ironic epistolographist, with the philosophy of Zaratustra, the prophet of the Dionysian, the coincidences and differences between the aesthetic, political and ethical proposals of Eça de Queirós and Friedrich Nietzsche are compared. After defending that the works of the two authors face certain common philosophical questions, the article goes on to...

Faca partilhada : Sophia de Mello Breyner Andresen e João Cabral de Melo Neto

Scherzo com helicópteros : a metáfora do voo em Herberto Helder

Ikea, três montagens

This essay aims to analyze three literary and cinematic meditations about the Ikea stores: a chronic, a theatre play, a movie of experimental cinema. It is questioned whether the ways in which the artistic work defies, by humor, the logic of consumption and analyzes the speech of the advertising and private property, to consider possible alternatives.

Gérard Genette : a escrita de Figures IV

This article reflects on Genette's most recent work and his theorisation on his own work (its unity and heterogeneity) and the recent multiplication of the areas of study (from music to painting, from Stendhal to Proust). Note is also made of Genette's idiosyncrasy in Figures IV.

Lendo Camus : eu, visitante, um pouco ladrão

O caminho desviado do comum dos homens : parménides em Maria Gabriela Llansol

Por uma ética da subversão