Adopting Zumthor's viewpoint that form equals force, the author analyses the fado of Coimbra as a recent tradition which is in movement; the article goes on to review rapidly the morphological and semantical changes which the fado of Coimbra has undergone from its probable origins until the present day.
Based on the hypothesis of Paul Fraisse that artists are limited «by the perspective and motive possibilities of man», the author of this article analyses the basic forms of juvenile oral literature - lullabies, tongue twisters and stereotype formulae, which were collected either directly or indirectly in Portugal - in an attempt to find governing models of the various categories of peninsular versification. Th...
This article represents the public presentation of a collection of poetry, which the author relates to the aesthetic-emotive fruition of poetic language.
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