Does french poetry written and published after the 1980's correspond to a disruption or to a re-appropriation of certain axes of aesthetic modernity? Even if in a provisional and brief way, the reading proposed here will try to answer this question, highlighting the structuring lines regarding the literature that marks the transition between the twentieth- and the twentyfirst century.
How does death relate to memorialist writing? What tensions are established between the differing absences and presences? These are the questions which determine this critical reading of Marguerite Yourcenar's Memoires d'Hadrien.
Financiadores do RCAAP | |||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |