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Variações sobre o segredo em João Soares de Valadares

A matéria tristaniana do ciclo do Pseudo-Boron, da Suite du Merlin à Demanda do...

The Pseudo-Robert de Boron cycle re-writes the Arthurian prose cycle adding to the Estoire del Saint Graal, Merlin (to which a long Suite is added) and Queste (considerably amplified) a Tristan en prose and, probably, a Lancelot. The composition of this cycle was possible thanks to a continuous process of rewriting: simultaneous or alternating writing of different romances, which grew in several phases that we ...

Linhagens arturianas na Península Ibérica : o tempo das origens

O ciclo do Pseudo-Boron à luz da mais recente investigação em Portugal

Linhagens arturianas na Península Ibérica : o tempo das origens

O Outro, o passado e a desordem

Modelo : actas

Artur, Tristão e o Graal : a escrita romanesca no ciclo do Pseudo-Boron

Artur, Tristão e o Graal. A escrita romanesca no ciclo do Pseudo Boron é uma tentativa de reconstituição dos processos de escrita que terão estado na origem deste conjunto textual e que o individualizam face ao primeiro ciclo arturiano em prosa, geralmente designado «Lancelot-Graal». O estudo do motivo da fonte (cap. I), da figura da Besta Ladrador (cap. II), da personagem régia (cap. III) e do tema do ódio ent...

La Fontaine aux fées dans le Lancelot en prose, roman anonyme du XIII siècle

The locus amoenus, which is generally represented by a spring and a tree, is, in traditional literature, often the scene for the appearance of fairies. In the Lancelot en prose, the fairy, submitted to a process of rationalization, becomes a lady or damsel who appears in the same context and retains some of the (merely formal or more profound) vestiges of the supernatural woman.

Um Édipo medieval : o tempo das origens no prólogo do Tristan en Prose (séc. XIII)

In the Prologue to the Tristan en Prose, which tells ofthe misfortunes of Chelinde and Sador and of their son Apollo (ancestors ofthe hero ofthe romance), the use ofthe narrative outline ofthe Oedipus myth and the reinvention of the monster of Thebes reveals the medieval vision of pre-Christian times: cyclical character and regression, homicide and incest represent paganism. However, Apollo, although guilty of ...