The search for specific features of an Irish cultural and literary identity takes an important step forward in Austin Clarke's «The Young Woman of Beare»: this can be seen in the rewriting of a põem from the Gaelic tradition, in its relocation in the historie time chosen by Ciarke for the enhanced portrayal of confliets central to the Irish consciousness, and in the expression of a committed and libertarian att...
The author tries to account for the controversy surrounding the fourth Voyage in Swift's Gulliver's Travels, by pointing out the clash between the consequences of sustained irony and the demands of satire, and its expression in specific narrative strategies.
The best known long poem by the Irish poet Patrick Kavanagh (1904-1967) presents a natural and human landscape of denial, misery and barrenness within a net of references which ranges from the Bible to Irish history and the Irish coutryside, the inversion of pastoral convention supports a violently disillusioned portrayal of rural existence and the peasant characteristic of part of Kavanagh's work and some post...
It is the purpose of this article to reconsider the terms on which a centrally canonical play like Hamlet can be read today as a book, as a text to be encountered on the page for a reading experience that can hardly be unaware of Hamlet's place in the history of literature. The present study thus takes part in the tendency, manifest in a number of publications in recent years, to reassess the page / stage duali...
In the course of more than thirty years of prolific writing, Paul Muldoon has earned a reputation for surprising his readers again and again. To a significant extent, this continued ability to "make it new" is closely linked to Muldoon's characteristically relational writing. Often described (in tones of eulogy or of deprecation) as the epitome of a postmodernist practice, his work has tested the limits of inte...
As its title suggests, Ben Jonson´s comedy Epicoene, or The Silent Woman lays a crucial emphasis on women´s identity and behaviour. Women in this play are satirized both as voluble embodiments of falsehood or depravity and as the agents of a ´monstrous´ and incompetently pursued will to power. But male characters also conspicuously fail to take on a normative status - as they are found to be either ´unnatural´ ...
Financiadores do RCAAP | |||||||
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |