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Jean Genet ou la danse macabre du bien et du mal

In this paper the author focuses the question of the search for lay sanctity in the work of Jean Genet considering the literary expression of his relationship with «Good» and «Evil». This topic brings in the problem of liberty in the dramatic work of Genet, which in turn is related to the question of (im)morality and religiosity. For this reason, in the second part of the essay, the author discusses Genet's ang...

Aimé Césaire et Ina Césaire et le béché originel d'être noir

The author attempts to analyse the meaning of negre and nigritude in Aime Cesaire's work: in line with Leopold Senghor, this is understood as a «new transracial humanism». In the second part of this article, the A. examines some of the aspects of Ina Cesaire's theatre: although sparing in its use of metaphor, this theatre is centred emblematically upon the aesthetics of negritude.

De Lupasco à Ionesco : logique et anti-logique dans la dramaturgie ionescienne

Existentialism was undeniably the philosophical base for the «théâtre de 1´absurde». Is it also possible to speak of a philosophical base for the «théâtre de 1´insolite» or the «théâtre de Ia dérision»? This article attempts to demonstrate that innumerable coincidences exist between the philosophical thought of Stéphane Lupasco and the dramaturgy of Eugène lonesco.

Victor Segalen : récit de voyage ou voyage du Récit? (réel/imaginaire: harmonie...

Victor Segalen is one of a number of great French visionaries and prophets. His travelogues go well beyond the realistic dimension and attempt to reach the corporisation of the ideal and the idealisation of reality. The real and the imaginary are interpreted as a perfect synthesis, which offers not an erotic recit of a journey but an exotic journey into the recit.

De la geste de la domination à la poétique de la relation

Glissant's poetics constitute an original proposal to go beyond the «aesthetics of oneness» by means of an «aesthetics of diversity». The cycle of «la geste de la dominationn has been exhausted, and a new cycle of «la poetique de la relation» emerges, attempting to surpass the irredutibility of the Shakespearean dialect of Caliban and Prospero.

Cadavre exquis

De como as musas se foram embora : da inspiração à expiação

Temas y problemas españoles en el teatro

Guerra Junqueiro e a escola

Carolina Michaelis : paradigma da lusofilia do seu tempo

When we view Carolina Michaelis' work on Portuguese literature, it stands out due to the precision of its learned research and due to the way it projected Portugal in Europe at that time; thus, D. Carolina exceeded ali other lusophiles: they regarded her work with the respect and admiration which she enjoyed in her adopted fatherland.