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The door : tentames e andaimes [posfácio]

This translation of The Door (previously published in the original) attempts to make better known how committed Fernando Pessoa was, at the beginning of the twentieth century, to the writing of fictional texts. And how he also had a preference for non-canonical genres. This text demonstrates as well Pessoa's fascination with the themes of madness and perversion. The "Postcript" added to the translation follows ...

O marinheiro de Fernando Pessoa, segundo Alfredo Guisado

The door

This translation of The Door (previously published in the original) attempts to make better known how committed Fernando Pessoa was, at the beginning of the twentieth century, to the writing of fictional texts. And how he also had a preference for non-canonical genres. This text demonstrates as well Pessoa's fascination with the themes of madness and perversion. The "Postcript" added to the translation follows ...

As margens no centro : lugares de desatenção na obra de José Cardoso Pires

'Thirteen ways of looking at a Blackbird' : ou os incessantes desafios de um gé...

As vantagens de ser literatura menor e estrangeira : o género policial em Portu...

Nas margens dos códigos legais : a tradição dos bons criminosos na ficção de Mi...

This paper looks at the ways in which violence and its perpetrators are represented in Miguel Torga's fictional universe in order to illustrate two basic characteristics: the importance of ancestral codes for the control of social disorder (immanent justice) and the resistance to types of prepotency and injustice on the part of the state organs and institutions.

Memórias de Polícias em Portugal : a utopia de um novo herói

Julieta Monginho : entre a luz e a sombra, entre os sons e os silêncios

Regina Guimarães : uma poética do devir