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Galeria breve : memória de Vieira Portuense (1810-ca.1865)

Francisco Vieira Junior (1765-1805) was a painter, and also an academic teacher, who became a fundamental pivot of the arrival of Neoclassicism to Portugal. Its progressive and selected training path, internationally determined (Italy, Germany, England), was soon followed by a large and applauded professional practice. Versatile in many genres, he devoted himself more to the study of Nature and History, cultiva...

Os milagres dos santos de casa

Robert C. Smith e o estudo da pintura votiva luso-brasileira

Between 1964 and 1972, Robert Chester Smith published five studies on painted Portuguese woodcarvings, including an attentive look at this art form in Brazil, particularly in the 18th and 19th centuries. Further references confirm the interest and decisive contribution of the North American historian on this matter, which has not been properly recognized yet. The overriding aim is to highlight how his approach ...

Olhar o património do Porto : uma empresa liberal

Uma pintura de Joaquim Vilanova, com alguns subsídios de índole biográfica e cr...

O restauro de painéis e a actividade de alguns pintores italianos em Portugal (...

A pintura popular votiva no séc. XVIII : (algumas reflexões a partir colecção d...

Tipologia votiva e lição literária : o caso Tolentino

Viver "da arte" ou... "no meio artístico"? : o caso de António José Vieira Júni...

In this case study we aim to document the long persistence of traditional vectors in art training and production. With biographical and micro-historical methodologies, we reconstruct the closing in of the art milieu and the significant influence of family-based ties, both in economic terms and in those of the equally important image management, as witnessed in Porto between the end of the 18th century and 1836,...

Em redor dos milagres da Senhora da Lapa