Author(s):
Simões, Daniela V. de Freitas 
Date: 2013
Persistent ID: http://hdl.handle.net/10362/12184
Origin: Repositório Institucional da UNL
Subject(s): Street Art; Graffiti; Criatividade Urbana; City Marketing
Document details
“Wassup in Lisbon?” – Urban Art as City Marketing
Description
Documento suporte para selecção e apresentação na Conferência When we think of Barcelona, we think of the outstanding Public Art program. When we think of Bilbao, we think of the precious urban and architectural oeuvres. Sydney has the Opera House. Paris has the Eiffel Tower. So on and so forth. As long as travelling has become affordable and fast, the tourism industry established a quite competitive market for cities worldwide. On the other hand, globalization allows us to be established and working in any part of the world. Therefore, municipalities battle themselves to present their cities as multi-faceted as possible: for tourism, for culture, to work and live. City-branding, a term we’ve come accustomed to since the so called Bilbao effect, is one aspect of these strategies. And so is city marketing which assumes a broader spectrum once it tackles with more sociological, political and financial aspects. For the last two years, the GAU – Office for Urban Art – a part of Lisbon’s municipality has engaged or cooperated in several campaigns to promote urban art. There has been given a particular focus to Graffiti and Street Art and their role in the construction of the city’s image as well as their inter-action with the public – or the citizen – in a broader scope, detaching the artistic practice from social issues or community murals. This paper objectives an extensive analysis of GAU’s involvement with these artistic practices according to two vectors: the promotion of non curated or spontaneous urban art as legalized and validated artistic practices; and, on the other hand, the marketing strategies to promote the city as a hub or a laboratory for artists and even, tourists
Documento suporte para selecção e apresentação na Conferência When we think of Barcelona, we think of the outstanding Public Art program. When we think of Bilbao, we think of the precious urban and architectural oeuvres. Sydney has the Opera House. Paris has the Eiffel Tower. So on and so forth. As long as travelling has become affordable and fast, the tourism industry established a quite competitive market for cities worldwide. On the other hand, globalization allows us to be established and working in any part of the world. Therefore, municipalities battle themselves to present their cities as multi-faceted as possible: for tourism, for culture, to work and live. City-branding, a term we’ve come accustomed to since the so called Bilbao effect, is one aspect of these strategies. And so is city marketing which assumes a broader spectrum once it tackles with more sociological, political and financial aspects. For the last two years, the GAU – Office for Urban Art – a part of Lisbon’s municipality has engaged or cooperated in several campaigns to promote urban art. There has been given a particular focus to Graffiti and Street Art and their role in the construction of the city’s image as well as their inter-action with the public – or the citizen – in a broader scope, detaching the artistic practice from social issues or community murals. This paper objectives an extensive analysis of GAU’s involvement with these artistic practices according to two vectors: the promotion of non curated or spontaneous urban art as legalized and validated artistic practices; and, on the other hand, the marketing strategies to promote the city as a hub or a laboratory for artists and even, tourists
Document Type
Conference Object
Language English
Language English
| Financiadores do RCAAP | |||||||
|
|
|
|
|
|
||