Author(s):
Nogueira, Isabel, 1974- 
Date: 2002
Persistent ID: http://hdl.handle.net/10451/6663
Origin: Repositório da Universidade de Lisboa
Subject(s): Teoria da arte; Pós-modernismo
Document details
Da análise do conceito de pós-modernismo à sua manifestação na exposição Altern...
Description
Tese de mestrado em Teorias da Arte, apresentada à Universidade de Lisboa através da Faculdade de Belas Artes, 2002 The following dissertation analyses the concept of postmodernism and its mainly perspectives, rather reporting its relation with others segments of art. It tries to understand the meaning, the ranging and the operationally of postmodernism, at the same time that approaches it of the historical, philosophical and artistic framework. In fact, this research observes the importance of the exposition Alternativa Zero (1977), the first great moment of the post-modern art in Portugal, and establishes the linkage between the postmodernism principles and how portuguese artists absolved it
Tese de mestrado em Teorias da Arte, apresentada à Universidade de Lisboa através da Faculdade de Belas Artes, 2002 The following dissertation analyses the concept of postmodernism and its mainly perspectives, rather reporting its relation with others segments of art. It tries to understand the meaning, the ranging and the operationally of postmodernism, at the same time that approaches it of the historical, philosophical and artistic framework. In fact, this research observes the importance of the exposition Alternativa Zero (1977), the first great moment of the post-modern art in Portugal, and establishes the linkage between the postmodernism principles and how portuguese artists absolved it
Document Type
Master Thesis
Language Portuguese
Advisor(s) Tavares, Cristina Azevedo, 1956-
Language Portuguese
Advisor(s) Tavares, Cristina Azevedo, 1956-
| Financiadores do RCAAP | |||||||
|
|
|
|
|
|
||