Author(s):
Pereira, Joana Ramos 
Date: 2012
Persistent ID: http://hdl.handle.net/10451/5052
Origin: Repositório da Universidade de Lisboa
Subject(s): Música; Acústica; Psicoacústica; Design; Som
Document details
Design e música
Description
Tese de mestrado, Design de equipamento, Estudos de Design, Universidade de Lisboa, Faculdade de Belas Artes, 2012 An identification of the interaction field between design and music is presented in this study, as a way to understand the role of audibility in the context of design. In order to enhance the sound in this context, this study is focused on the analysis of different issues associated with sound, Encouraging future guidelines of research to explore the dynamic relationship between these two areas. By presenting repercussions at different levels, the sound is assumed as a referential and transcendent element, providing a set of possibilities and processes of exploration, which the designer can use in order to enrich their social and cultural role
Tese de mestrado, Design de equipamento, Estudos de Design, Universidade de Lisboa, Faculdade de Belas Artes, 2012 An identification of the interaction field between design and music is presented in this study, as a way to understand the role of audibility in the context of design. In order to enhance the sound in this context, this study is focused on the analysis of different issues associated with sound, Encouraging future guidelines of research to explore the dynamic relationship between these two areas. By presenting repercussions at different levels, the sound is assumed as a referential and transcendent element, providing a set of possibilities and processes of exploration, which the designer can use in order to enrich their social and cultural role
Document Type
Master Thesis
Language Portuguese
Advisor(s) Dâmaso, Isabel, 1966-
Language Portuguese
Advisor(s) Dâmaso, Isabel, 1966-
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