Autor(es):
Pereira, Joana Ramos 
Data: 2012
Identificador Persistente: http://hdl.handle.net/10451/5052
Origem: Repositório da Universidade de Lisboa
Assunto(s): Música; Acústica; Psicoacústica; Design; Som
Detalhes do Documento
Design e música
Descrição
Tese de mestrado, Design de equipamento, Estudos de Design, Universidade de Lisboa, Faculdade de Belas Artes, 2012 An identification of the interaction field between design and music is presented in this study, as a way to understand the role of audibility in the context of design. In order to enhance the sound in this context, this study is focused on the analysis of different issues associated with sound, Encouraging future guidelines of research to explore the dynamic relationship between these two areas. By presenting repercussions at different levels, the sound is assumed as a referential and transcendent element, providing a set of possibilities and processes of exploration, which the designer can use in order to enrich their social and cultural role
Tese de mestrado, Design de equipamento, Estudos de Design, Universidade de Lisboa, Faculdade de Belas Artes, 2012 An identification of the interaction field between design and music is presented in this study, as a way to understand the role of audibility in the context of design. In order to enhance the sound in this context, this study is focused on the analysis of different issues associated with sound, Encouraging future guidelines of research to explore the dynamic relationship between these two areas. By presenting repercussions at different levels, the sound is assumed as a referential and transcendent element, providing a set of possibilities and processes of exploration, which the designer can use in order to enrich their social and cultural role
Tipo de Documento
Dissertação de Mestrado
Idioma Português
Orientador(es) Dâmaso, Isabel, 1966-
Idioma Português
Orientador(es) Dâmaso, Isabel, 1966-
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