Autor(es):
Relvas, Maria de Jesus Crespo Candeias Velez 
Data: 2013
Identificador Persistente: http://hdl.handle.net/10451/10059
Origem: Repositório da Universidade de Lisboa
Assunto(s): Tudor historiography; Biographical writings; Vilification; Exemplum
Descrição
The process of vilification of Richard III started at the end of the fifteenth century,
when a well-planned policy of Tudor propaganda was set in motion by Henry VII
himself, who commissioned a series of historiographical writings, mainly aiming
at the solidification of the newly founded dynasty. One of the strategies, probably
the major one, consisted in the definitive annihilation of the last Plantagenet king
of England, whose defeat and death on the battlefield should not by any means transform him into the York victimised hero of the Wars of the Roses. Thus, various historiographers delineated Richard of Gloucester as a vile, wicked, monstrous creature. But the hyperbolic process of vilification undoubtedly reached its highest climax with two major early modern authors. The Life written by Thomas More – The History of King Richard the Third(ca . 1514) – and the play
written by William Shakespeare – King Richard III (ca . 1591) – may be considered the epitomes of the tradition that has forever shaped the king as a monster. In this text, I focus on the way More and Shakespeare exploit and amplify the vituperative historiographical tradition, though mostly based on rumour, uncertainties and legendary elements. Within this widely accepted tradition, both authors manage to shape a solid portrait of Richard III, an exemplum not to be imitated or followed, but whose performance, built through a set of powerful
rhetorical devices, is masterful, both in the Life and in the play.
